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It is not easy to get into this book by Markus Zusak, though once the reader overcomes the initial difficulty posed by its peculiar layout and can accept the premise that the narrator is Death itself, with its own inimitable view of the physical and human world, it is possible to become engrossed in the narrative.
One of the first sentences, set out quite starkly, reads ‘HERE IS A SMALL FACT. You are going to die.
It would be difficult to find a more startling way to start a book, and this certainly had its effect on me, making me stop and think before reading on. And so, after accepting the basic premise that the book is written from the viewpoint of Death, who turns out to be an individual with ideas, emotions and principles, we are told about a train journey somewhere in Germany on a cold winter’s day. We learn, after a few leaps backwards and forwards in time, that the period is that of Hitler, the Fuhrer, and that a girl is on the way with her mother and young brother to be delivered to foster parents. The brother dies during the journey, and the girl is left, unwilling and alone, with the foster parents.
The saga of the girl’s time on the inappropriately-called Himmel Street in the small town of Mulching, somewhere near Munich, occupies the bulk of the book. We read of her reluctance to remain with her foster parents, of her tendency to steal any book that comes her way, despite the fact that she cannot read, and her nightly battle with the urine-soaked sheets in her bed.
It is at this point that her foster-father, Hans Hubermann, comes to her aid, helping her to change the sheets, distracting her from her misery by playing the accordion, teaching her to read and generally serving as a soothing and supporting influence, offsetting his rather abrasive wife, Rosa. The girl, Liesel, is sent to the local school, where she learns to fight the children of the neighbourhood as well as to make friends with some of them, especially a tow-headed neighbour called Rudy.
The events in the book take place during the years that Germany is at war, and the people described in it are ordinary Germans, doing their best to eke out a living and put food on the table for their families. The youngsters are required to attend Hitler Youth events, but soon tire of the discipline and sadism of their superiors, preferring to spend their time engaging in expeditions to local farms and orchards to steal potatoes and apples.
The humdrum life of the Hubermann family is interrupted by the arrival of Max, a Jewish man trying to evade capture by the authorities whose father served with Hans in the First World War. The family gives him shelter in their basement, despite knowing that the penalty for helping a Jew is death. Liesel develops a strong bond with Max, who shares her fascination with writing and reading, and even writes her a little story. Liesel discovers the mayor’s fine library, and makes a habit of stealing books from there, aided and abetted by Rudy.
The bombing of the city by the Allies creates a situation whereby basements of individual houses are used as communal bomb shelters, and this forces Max to leave the Hubermann family. Equipped with a suitcase full of food he sets off into the unknown, and his fate is very much in Liesels’s mind in the following weeks and months.
The sight of groups of weak and starving Jews being forcibly marched through the town on their way to or from the nearby Dachau concentration camp haunts Liesel and her father. Hans tries to give some bread to one of them and is cruelly whipped by the soldiers in return. Eventually Hans is called up for military service, despite being well beyond conscription age, and returns home wounded. He continues to work for the army at a desk job in town.
The final chapter reveals the deaths of almost all the residents of Himmel Street in a sueprise Allied bombing raid. Only Liesel is left alive as she has been sitting in their basement reading. Death describes the scene in poetic terms, and the reader is left with a sense of desolation given the amount of death and destruction that has been inflicted on innocent human beings.
In an interesting supplement, the author provides some aspects of his writing process. But for me the overriding impression after reading this book was that it is an admirable – and fairly successful – attempt to show that ordinary German people were not to blame for Hitler’s bloodthirsty excesses, and that they did their best to retain their humanity under the most trying conditions.








